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321 Film
Sep 274 min read
Megalopolis (2024)
Updated: Sep 30
★
Megalopolis: the greatest movie-watching experience I’ve ever had for such a terrible trainwreck of a film. I don’t know what the fuck I just watched, but my god did I ever feel connected to the rest of my audience as we all suffered and laughed through it together.
Megalopolis is a mess brimming with ambition but utterly devoid of direction and cohesion. It isn’t just agonizing, it is an excruciating test of patience. At best, it’s mind-numbing, at worst, a total trainwreck I painfully endured. It’s an embarrassingly pretentious film that thinks it’s a masterpiece when in all reality it’s an over-indulgent, incoherent, cringe fest with zero direction – a mess of ideas with no weight.
BUT! It gave me an experience I will never forget. I saw this at an IMAX pre-screening that included the live actor during the movie and a live-streamed pre-screening Q&A with Francis Ford Coppola, Robert DeNiro, and Spike Lee. The Q&A was bonkers and spiraled way out of control right after it began. It was insane to watch unfold in real-time and ended up being a great pre-game for how insane the experience to come was.
And wow was it ever so much fun - laughing along with a full audience of cinephiles at the absurdity of this movie. And before you ask, no this is not a comedy, we were laughing at the movie. And yes, I feel bad, this is the legendary Francis Ford Coppola’s passion project with a heavy artistic, experimental vision to it, but it just was such a hot mess that I couldn’t help it. Luckily, I wasn’t alone. And while the movie was largely a failure, this was the most connected I’ve felt to an audience and film community since seeing Avengers: Endgame for the first time. So while I will probably NEVER see this movie again, I am so thankful to have had the experience I did seeing it.
I genuinely cannot believe this movie is real. Needs to be seen to be believed. I have never seen a movie quite like this before. Better or worse, Coppola made the movie he wanted to make, and it's as strange and bizarre and imaginative and insane as you expect, in every single department. Part of me thinks the movie knows how insane it is, and it just gives zero fucks. But who knows? I just have no clue how to actually write about it. Frankly, I could barely explain the movie to you if I tried.
You can tell Francis Ford Coppola thinks a lot about the Roman Empire because its influence is all over the mega failure that is Megalopolis. Themes of time, history, legacy, civilization, technology, politics, the media, and economics are all touched upon in this golden sun-baked, grandiose, overstuffed, and overwritten piece of filmmaking but with little to zero cohesion between them. While Francis Ford Coppola may have made some of the greatest films of all time in the 70s (The Godfather, Apocalypse Now), Megalopolis is not one of those movies. Every member of this cast feels lost as they deliver some of the funniest line readings you’ll likely hear all year. (I think Aubrey Plaza was the only one who KNEW what kind of movie she was in.) Some will appreciate the scale and ambition of Megalopolis. I would’ve admired it more if any of it worked, but at least I’ll never forget the incoherent, messy, WTF experience of it all. Feel like I just witnessed an important moment in film history.
Film Info:
Premise: The city of New Rome is the main conflict between Cesar Catilina, a brilliant artist in favor of a utopian future, and the greedy mayor Franklyn Cicero. Between them is Julia Cicero, her loyalty divided between her father and her beloved.
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American Zoetrope
Produced, Written & Directed by Francis Ford Coppola
Cast: Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Laurence Fishburne, Talia Shire, Jason Schwartzman, Kathryn Hunter, Dustin Hoffman, Chloe Fineman
Runtime: 2hr 18min
Rating: 14A
Drama, Sci-Fi
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IMDb Rating: 5.2/10
Rotten Tomatoes Score: 49%
RT Audience Score: 34%
RT Critic Average: 4.9/10
RT Audience Average: 2.3/5
Metacritic Score: 56
CinemaScore: D+
Letterboxd: 2.5/5
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Fun Fact: Francis Ford Coppola financed the entire $120 million film out of his own pocket. He had done the same with Apocalypse Now (1979) and One from the Heart (1981), and the failure of the latter made him declare bankruptcy. All his subsequent films up to The Rainmaker (1997) were made to pay off his debts.
Francis Ford Coppola wrote the script in the early 1980s, but the film was kept on the back-burner partially due to his financial debts. Pre-production finally began in 2001 after filming 30 hours of second unit footage and holding table read with Paul Newman, Uma Thurman, Robert De Niro, James Gandolfini, Nicolas Cage, Leonardo DiCaprio, Russell Crowe, Edie Falco, and Kevin Spacey. However, the project was scrapped after the September 11 attacks, since a scene from the script (page 166) "predicted" the attacks. Coppola fully abandoned the project in 2007, and didn't begin developing it again until 2019.
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