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Between this and Kelly Freeman Craig’s first film, The Edge of Seventeen, she has developed a knack for telling really honest, heartfelt coming-of-age stories. The subjects of her movies are treated with respect and intelligence no matter their age, and what’s special about this movie is that it tells a story that is quite an ordinary year in the life of an eleven-year-old. Margaret doesn’t have to navigate complex hardships such as grief, nothing overly terrible happens to her, and yet the movie is still exciting and compelling because we are brought so deeply into her life. Craig also gives us opportunities to recognize parts of Margaret’s adolescence as our own. I definitely related to the awkwardness of being eleven, and I loved that the film bathes in this pre-teen awkwardness and even embraces the cringe of it all at times. I also found it really impressive that 50 years after the original book was published the themes and conversations in this movie still feel like they are refreshing and needed in this day and age. It openly discusses periods, adolescence and seems to have the same power that Judy Blume’s novel does: it has the power to make young girls feel less alone in their struggles growing up.
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